有一位剛到台灣的外國修女，正在努力地上課學中文。在她的同班同學中，有位留著大把長鬍子的年輕外國神父。有一天，當神父出現在學校時，臉上的鬍子竟已刮得一乾二淨，讓他看起來既年輕又帥氣。這位修女對於神父同學的行為深表贊同，覺得自己似乎應該盡盡讚美與鼓勵的義務。於是，她便帶著滿面燦爛的笑容，字正腔圓地對同學發出最溫暖也最大聲的誇獎：
「神父，你沒有褲子就好帥！」
你沒有褲子就好帥
有一位剛到台灣的外國修女，正在努力地上課學中文。在她的同班同學中，有位留著大把長鬍子的年輕外國神父。有一天，當神父出現在學校時，臉上的鬍子竟已刮得一乾二淨，讓他看起來既年輕又帥氣。這位修女對於神父同學的行為深表贊同，覺得自己似乎應該盡盡讚美與鼓勵的義務。於是，她便帶著滿面燦爛的笑容，字正腔圓地對同學發出最溫暖也最大聲的誇獎：
「神父，你沒有褲子就好帥！」
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The instrument does not define the instrument’s user – or latter’s ability. It does not define the content either, of course it can make some content possible that was impossible before via other tools. But… exactly as in photography some saying “digital darkroom is easy / takes no effort / takes no talent” etc etc. , electronic music is no different: we have people who reverse the relationship between user and tool. Also, they think content is defined by the medium or the instrument itself.
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